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WearetheMovies Forum :: Dubai's Finest Film Discussion Community  |  Movies  |  Sunset Boulevard  |  Harry Potter and the Deathly Hallows: Parts 1 & 2 (Yates, 2010-11)
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Author Topic: Harry Potter and the Deathly Hallows: Parts 1 & 2 (Yates, 2010-11)  (Read 1511 times)
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« Reply #45 on: December 23, 2010, 03:24:AM »

this time it's not just rubbish...it's no special effects rubbish.they wander around then someone dies or whatever but you don't get any cool special effects like the previous films.you basically get a typical Harry Potter movie minus special effects which makes it watchable....however, the losers who read the book will pprobably discuss every single detail in the movie as if it matters.

this movie no way cost more than $120 million...

BOYCOTT.
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"There's this whole school of thought that movies are always so great when you're 10 or 12 years old, and the reality of it is, when you're 10 or 12 years old, you've only seen 100 stories. By the time you get to be 25, you've seen 3,000. You've seen every permutation of every dramatic arc. And when somebody takes that and stands it on its head, that can be exciting." David Fincher
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« Reply #46 on: December 23, 2010, 03:02:PM »

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« Reply #47 on: April 28, 2011, 11:34:AM »

If this is how it ends then I shall watch the end...

<a href="http://www.youtube.com/v/mObK5XD8udk&rel=1" target="_blank">http://www.youtube.com/v/mObK5XD8udk&rel=1</a>
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« Reply #48 on: April 28, 2011, 02:35:PM »

OMG!!! Now that's how you put butts in fucking seats. I am so angry that I can't synchronize my vacation with the release of HP7.2, otherwise I would have been first in theater that opening weekend.
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« Reply #49 on: April 28, 2011, 05:55:PM »

8 movies, and not once a bad trailer from Harry Potter. This is fantastic! Very well cut.
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« Reply #50 on: July 17, 2011, 06:45:PM »

3D or not?
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"There's this whole school of thought that movies are always so great when you're 10 or 12 years old, and the reality of it is, when you're 10 or 12 years old, you've only seen 100 stories. By the time you get to be 25, you've seen 3,000. You've seen every permutation of every dramatic arc. And when somebody takes that and stands it on its head, that can be exciting." David Fincher
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« Reply #51 on: July 17, 2011, 07:16:PM »

It made no difference for me without 3D. I think it will really only be an incentive for the last 30 minutes or so. The film is visually competent on any medium. I just don't like the high ticket prices.
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« Reply #52 on: July 25, 2011, 07:22:PM »



IMDb link

Directed by: David Yates
Starring: Daniel Radcliffe, Emma Watson, Rupert Grint, Ralph Fiennes, Alan Rickman, Helena Bonham Carter, others.
Release date: July 14, 2011 (UAE)


A decade long series comes to an end with Harry Potter and the Deathly Hallows: Part 2, a grand finale of emotions and explosions as the real and reel worlds witness the final face-off between arch-enemies Harry Potter and Voldemort. As Deathly Hallows: Part 1 suggested, director David Yates pulls out all the stops, giving the audience everything they had hoped for from this franchise climax, and even making up for much that many of the previous movies lacked. Amidst the magnitude of the setting and the action that takes place, Yates never loses focus of the emotional core of the plot, doing justice to the many characters that populate its wizarding world.

Dark Lord Voldemort (Ralph Fiennes) has acquired the Elder Wand, the most powerful magic wand there is, intending to use it to kill his one and only opponent, Harry Potter (Daniel Radcliffe), the boy who survived. Harry Potter, with friends Ron (Rupert Grint) and Hermione (Emma Watson), continues his quest to seek out and destroy the remaining horcruxes, magical objects that contain fragments of Voldemort’s soul, intending to reduce his power and render him vulnerable. The two enemies will eventually battle to death at the one place that nurtured them and gave them power: Hogwarts, the final battleground of good vs evil.

Much like Harry Potter and the Deathly Hallows: Part 1, Part 2 starts on an ominous note, this time picking up exactly from where we last saw the characters. The film continues with the final leg of the journey of the lead trio, maintaining subdued colors and frequent close-ups of the main characters to exude the morose outlook the wizarding world faces. Even so, Yates does a perfect balance of emotional involvement and large-scale action sequences. As expected, the movie is a spectacle of special effects and locations, owing to the last feat the lead trio have to perform before the final battle. Raiding an underground vault of Gringotts, the wizarding world’s bank and the resistance at Hogwarts castle are the two major set-pieces of this movie, both accomplished with as much visual splendor as the scenes required and that which modern CGI technology can achieve. The elaborate score adds to the visuals to truly make this last installment as epic as should be.

In their infinite wisdom and greed, the studio and creative behind the movie had decided to split the last book into two movies. Whatever the motive, the decision proved itself in the result: Harry Potter and the Deathly Hallows: Parts 1 & 2 combine to do justice to the source material as well as prove to be the best movies of the franchise. David Yates, in his fourth consecutive outing with the series, has finally made a movie that is equally deserving of the accolades that the books have generally received. The revelations and references littered through-out Deathly Hallows: Part 1 which made the movie cryptic for non-followers bear fruit in this movie, mainly to explain the many past events as well as provide closure to numerous sub-plots, primary of which is of Alan Rickman’s Professor Snape. The explanation for his motivations acts as an emotional crescendo, again proving the dexterity of Yates.

For now, this is the final part of the Harry Potter world, with no more movies scheduled. Unfortunately, the series has not much to look back to, with most of the movies being rush-jobs to get through the labyrinth plot of the individual books by directors who were clueless about where the many characters and sub-plots end up, physically and emotionally. Yet, Harry Potter and his friends will be remembered fondly down the decades, owing to this fantastic two-piece finale.

My Rating --> 4 of 5
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« Reply #53 on: July 25, 2011, 11:33:PM »

Bravo Shariq  Clap Great review, ans should be on the main site.
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« Reply #54 on: July 26, 2011, 10:08:AM »

I'm just glad "it all end"ed. To me all the movies except Azkaban look alike. I wont be able to tell them apart if my life depended on it. Technically this movie looked much better, the FX were cleaner, could actually make out who was fighting when and with who. But other than that they all the same to me, maybe coz i never got involved with the characters like others did and for that I blame the shit acting of Daniel Radcliffe.
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« Reply #55 on: July 26, 2011, 10:57:AM »

Actually for me, part 1 was a better film. Darker in tone and by letting the characters wander outside of that banal school, letting them be themselves while lost in the forests and frozen rivers was a great idea. Also, it had moments of fright that worked well (that scene in the grave yard and the giant snake etc) and overall, because it was a more quite, toned down film.

Part 2 is pretty decent (compared to how bad things got in the middle of the franchise, parts 4 especially, where I gave up) but like all big finale's it lets the spectacle upstage the narrative eventually, even though Snape's revelation and a couple of flashbacks were really the heart of not just this film but perhaps the entire saga. Still, you have to hand it to the team, its been a decade long cinematic experiment (like no other, except Michael Apted's 7 up series, which is a documentary) where the actors grew with the characters and where a studio tried to keep consistency across the many directors and other talent working on the franchise (compare that to the equally British but very shitty Bond franchise). Azkaban remains the true gem of the series not only because it apparently took risks by being at tangents with the source but also because I think its possible the only one that not only had its own identity and look but which would probably work as a standalone film as well.

Shariq, please put up the review on the main site and I'll viral it, it very neatly summarizes that concluding part very well.
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Narrative is the poison of cinema...There’s nothing more beautiful than elusiveness in cinema.
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