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WearetheMovies Forum :: Dubai's Finest Film Discussion Community  |  Movies  |  Indus Valley  |  Kanchivaram (Priyadarshan, 2008)
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Author Topic: Kanchivaram (Priyadarshan, 2008)  (Read 239 times)
suresh
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« on: October 01, 2009, 11:15:AM »


Priyadarshan is known for making colourful comedies and occasional semi-serious films like Gardish and Viraasat. Most of hindi films like Herapheri, Hungama, etc. are remakes of Malayalam films. So far he has made only very commercial films.

In Kanchivaram which was chosen as the Best Indian film 2008, he veers a lot from his usual commercial fare and tackles a totally different theme. It is the story of the colorless lives of the people who make the most colourful Sarees in India, namely the silk weavers from the town of Kanchivaram, Tamilnadu. Those who weave these beautiful sarees cannot afford to have one. The only time they can use silk is to tie their big toes  together at  the time of death.  The story is simple but Priyadarshan builds a nice politically relevant film around it. Even though the story happens in the immediate pre-post independence days (1942-50) the plights, pain and social inequalities still prevail.

The weavers who are  underpaid goes into struggle under the communist party mantle  led by Vengadam (Prakash Raj) who later leaves the struggle to make money for a silk saree for his daughter's wedding. The path he follows and the outcome makes rest of the movie. The loss of ideals in the face of hardship is portrayed here and the director wants to show that this may be reason for the failure of  communism in today's world. The film has been labelled anti-communist by many and Priyadarshan calls it a communist confession

PrakashRaj, whom you have love in Wanted (Prabhudeva, Salman Khan) gives a great performance as Vengadam, for which he deservedly won the National Award. He is an amazing actor, one of the best in the Tamil industry with great versatility.  He is given ample support from Shriya Reddy and Shammu.

Sabu Cyril, arguably the best art director in India successfully recreates the old Kanchivaram and Tiru's camera and Arunkumar's editing adds value.

As he said in a recent interview, Priyadarshan makes his usual movies for the producers and he has made kanchivaram for the love of cinema. It is nice to know that inside this pure commercial director, there is a film maker who loves good cinema. Hopefully he will do more movies like this in the future.
4/5
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« Reply #1 on: October 01, 2009, 11:38:AM »

Nice review Suresh, I think AK watched this during DIFF last year and didnt like it if I remember correctly.
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« Reply #2 on: October 01, 2009, 12:47:PM »

It played during DIFF and I wanted to see it, but was told its extremely serious and sad, so I chose not to
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« Reply #3 on: October 01, 2009, 02:17:PM »

Nice review Suresh, I think AK watched this during DIFF last year and didnt like it if I remember correctly.

Yes, I saw this at DIFF, and had reasonably good expectations of it; afterall, Priyadarshan is an effective storyteller and visualist. I have seen several of his films, including Billu, which was ultimately sentimental but made up as a clever satire of small town politics and the movie business.

In Kanchivaram I found him trying too hard to narrate a serious story embellished with melodramatic flourishes -- in any mainstream film, this would have been tolerable, but it did not fit the overall tone Priyadarshan was trying to create. In my opinion, of course.

But, yes, technically, Kanchivaram is still worth a watch, if there are no better alternatives available.
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WearetheMovies Forum :: Dubai's Finest Film Discussion Community  |  Movies  |  Indus Valley  |  Kanchivaram (Priyadarshan, 2008)
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