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WearetheMovies Forum :: Dubai's Finest Film Discussion Community  |  Movies  |  Sunset Boulevard  |  Movie Peeps: Trailers
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shariqq
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« Reply #15 on: July 30, 2006, 12:02:PM »

The opening link on this page HAS to be from the company that has consistently produced some of the best teasers: PIXAR.

Brad Bird's follow-up to their best movie is based on a rodent : Ratatouille (12.5MB)
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« Reply #16 on: July 30, 2006, 01:05:PM »

wait! i think we should have a thread for footages that are not teasers or trailers... Roll Eyes
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"There's this whole school of thought that movies are always so great when you're 10 or 12 years old, and the reality of it is, when you're 10 or 12 years old, you've only seen 100 stories. By the time you get to be 25, you've seen 3,000. You've seen every permutation of every dramatic arc. And when somebody takes that and stands it on its head, that can be exciting." David Fincher
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« Reply #17 on: July 30, 2006, 09:42:PM »

I need this thread, because I dont even check the trailers page.
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« Reply #18 on: July 30, 2006, 09:58:PM »

I love American Football movies for some reason.

Here is another one that has potential to be a good one.

Gridirion Gang
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« Reply #19 on: July 30, 2006, 11:26:PM »

I love American Football movies for some reason.

Here is another one that has potential to be a good one.

Gridirion Gang

it amazes me how these movies are always the same and somehow the critics love them and they end up making good money at the US box office.

btw, was Miracle released in the UAE? i don't remeber it was released in bahrain...
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"There's this whole school of thought that movies are always so great when you're 10 or 12 years old, and the reality of it is, when you're 10 or 12 years old, you've only seen 100 stories. By the time you get to be 25, you've seen 3,000. You've seen every permutation of every dramatic arc. And when somebody takes that and stands it on its head, that can be exciting." David Fincher
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« Reply #20 on: August 01, 2006, 03:50:PM »

Joblo describes the trailer as
Quote
someone stole a crumpled up reel of ALICE IN WONDERLAND, hammered it straight, then twisted up again using a drill press. And then Robert Wiene walked up and took a piss on it. I mean all that in the best way possible.

Terry Gilliam's Tideland
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« Reply #21 on: August 03, 2006, 04:15:PM »

Robin William teams up with Barry Levinson once more after the crapfest RV and its called Man of the Year.
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« Reply #22 on: August 03, 2006, 10:49:PM »

Some new trailers:

1) Eric Bana & Drew Barrymore in Lucky You : 18.5MB

2) Tim Burton's in The Nightmare Before Christmas 3-D : 11.7MB

3) Sofia Copolla's in Marie Antoinette *ing Kirsten Dunst : 22.2MB

4) Another Truman Capote movie - Infamous *ing Sandra Bullock, Daniel Craig, Jeff Daniels, Gwyneth Paltrow, Sigourney Weaver & Hope Davis 35.1MB
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« Reply #23 on: August 03, 2006, 10:57:PM »

SUBURBAN MAYHEM


 Cool

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"There's this whole school of thought that movies are always so great when you're 10 or 12 years old, and the reality of it is, when you're 10 or 12 years old, you've only seen 100 stories. By the time you get to be 25, you've seen 3,000. You've seen every permutation of every dramatic arc. And when somebody takes that and stands it on its head, that can be exciting." David Fincher
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« Reply #24 on: August 04, 2006, 12:08:AM »

SHERRYBABY

and the oscar for best female actress in a leading role goes to....Maggie Gyllenhaal!

THIS FILM IS NOT YET RATED

haha looks interesting.



FAST FOOD NATION


meh..i didn't like how Richard Linklater promoted this in cannes.it seemed to me that he wasn't interested in making it.plus, saying "no movie can threaten fast food restaurants business blah blah.." is stupid.
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"There's this whole school of thought that movies are always so great when you're 10 or 12 years old, and the reality of it is, when you're 10 or 12 years old, you've only seen 100 stories. By the time you get to be 25, you've seen 3,000. You've seen every permutation of every dramatic arc. And when somebody takes that and stands it on its head, that can be exciting." David Fincher
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« Reply #25 on: August 04, 2006, 02:08:AM »

Some new trailers:

1) Eric Bana & Drew Barrymore in Lucky You : 18.5MB

2) Tim Burton's in The Nightmare Before Christmas 3-D : 11.7MB

3) Sofia Copolla's in Marie Antoinette *ing Kirsten Dunst : 22.2MB

4) Another Truman Capote movie - Infamous *ing Sandra Bullock, Daniel Craig, Jeff Daniels, Gwyneth Paltrow, Sigourney Weaver & Hope Davis : 35.1MB

damn! if yo saw footage/interviews of the real Truman Capote you will know that Toby Jones got it right! even BETTER than Philip Seymour Hoffman.However, this movie looks dull.

god..when filmmakers are going understand that if you want to make a film based on an event in the 50's or 60's or whatever, you have to make EVERYTHING look and feel so 50's and 60's.not just the make up and the clothes.look at MUNICH and THE AVIATOR and you will know what i mean.

this movie will fail.still can't wait to check it out.
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"There's this whole school of thought that movies are always so great when you're 10 or 12 years old, and the reality of it is, when you're 10 or 12 years old, you've only seen 100 stories. By the time you get to be 25, you've seen 3,000. You've seen every permutation of every dramatic arc. And when somebody takes that and stands it on its head, that can be exciting." David Fincher
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« Reply #26 on: August 04, 2006, 03:39:AM »

THE AVIATOR?
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« Reply #27 on: August 04, 2006, 04:58:AM »

THE AVIATOR?

yes? actully it's a perfect example of how you can capture a period.

Quote
Martin Scorsese designed each year in the film to look just the way a color film from that time period would look. Achieved mainly through digitally enhanced post-production, Scorsese recreated the look of Cinecolor and two-strip Technicolor. Watch in particular for the scene where Howard Hughes (Leonardo DiCaprio) meets Errol Flynn (Jude Law) in the club. Hughes is served precisely placed peas on a plate, and they appear blue or turquoise - just as they'd have looked in the primitive two-strip Technicolor process. As Hughes ages throughout the film, the color gets more sophisticated and full-bodied.

Quote
Director Martin Scorsese originally wanted to shoot the film in Academy ratio, 1.33:1, the same ratio as films of the period and indeed all films up until about 1954. Unfortunately, he found that modern theaters are generally not properly equipped to show anything but Flat 1.85:1 or Scope 2.35:1 films. He therefore focused instead on making each portion of the film look like it was made using the color film stock available at the time.

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"There's this whole school of thought that movies are always so great when you're 10 or 12 years old, and the reality of it is, when you're 10 or 12 years old, you've only seen 100 stories. By the time you get to be 25, you've seen 3,000. You've seen every permutation of every dramatic arc. And when somebody takes that and stands it on its head, that can be exciting." David Fincher
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« Reply #28 on: August 04, 2006, 08:37:PM »

A Good Year

WTF?!

1-boring ass  title for a film.
2-the worst poster of the year.
3-and Moi ... Lolita by Alizée is playing during a Ridley Scott picture?! you gotta be kidding me.

anyways, it seemed to me that the producers don't know how to promote this film so they've decided to ruin everything.but this has potential to be great.i loved the second minute of the trailer.
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"There's this whole school of thought that movies are always so great when you're 10 or 12 years old, and the reality of it is, when you're 10 or 12 years old, you've only seen 100 stories. By the time you get to be 25, you've seen 3,000. You've seen every permutation of every dramatic arc. And when somebody takes that and stands it on its head, that can be exciting." David Fincher
kaytee
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« Reply #29 on: August 05, 2006, 12:47:AM »

This looks something that Guy Ritchie would do. But I like the look of it and stars some really good names.

Smokin Aces - Jeremy Piven plays a Las Vegas magician who decides to testify against the mob. Before going into hiding, he decides to go to town in the casinos for one last hurrah only to draw the attention of mob assassins. The Universal film is written and directed by Joe Carnahan (Narc).
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