I'll fuck anything that moves! - Frank Booth
Interesting scene Ak. Your early warning couldn't prepare me for what came after it. But it made sense while watching. It was just a transition in time that Lynch did with a little fun (and twist). I'd like the fucker to explain his movies once in awhile, not because I don't get them, but because I don't think the man knows that the hell he's making. They are all vivid, visual feasts but on the surface, at least while being watched, feel disconnected and like utter nonesense. I just love how critics take apart every scene and give it meaning - the theory of deconstruction is strongest when applied to Lynch's films.