Welcome, Guest. Please login or register.
May 23, 2012, 10:01:PM
40325 Posts in 3383 Topics by 54 Members
Latest Member: Cinema1964
WearetheMovies Forum :: Dubai's Finest Film Discussion Community  |  Noble Distractions  |  Musika  |  Dig!!! Lazarus Dig!!! (Nick Cave and the Bad Seeds, 2008)
Pages: [1]
Author Topic: Dig!!! Lazarus Dig!!! (Nick Cave and the Bad Seeds, 2008)  (Read 978 times)
X.
Administrator
alfred hitchcock
*****
Offline Offline

Gender: Male
Posts: 5970


i am here


WWW
« on: November 01, 2008, 12:35:PM »

If you weren't big fans of Nick Cave and the Bad Seeds, now is your chance: Dig, Lazarus, Dig!!! is a masterpiece of crazy, wild poetry and eclectic sonic artistry.

The sound is a bit different from previous Bad Seeds records, more garage rock, with a consistent smattering of acoustic and electrical noise -- all backscored to Nick Cave preacher sermoning, except that he is not in a church or at a pulpit, but more likely in some idyllic depression-era dustbowl, roaming the streets singing to anyone who'll listen. The sensibility is old Americana but the feel is contemporary. I'll just let him explain:

Quote from: Nick Cave
Ever since I can remember hearing the Lazarus story, when I was a kid, you know, back in church, I was disturbed and worried by it. Traumatized, actually. We are all, of course, in awe of the greatest of Christ's miracles - raising a man from the dead - but I couldn't help but wonder how Lazarus felt about it. As a child it gave me the creeps, to be honest. I've taken Lazarus and stuck him in New York City, in order to give the song, a hip, contemporary feel. I was also thinking about Harry Houdini who spent a lot of his life trying to debunk the spiritualists who were cashing in on the bereaved. He believed there was nothing going on beyond the grave. He was the second greatest escapologist, Harry was, Lazarus, of course, being the greatest. I wanted to create a kind of vehicle, a medium, for Houdini to speak to us if he so desires, you know, from beyond the grave.

Usually the first thing that grabs us about contemporary songs is the music, how it sounds; it happens to be a derivative of pop. In this case, what I was first struck by were the ingeniously savage and ironic lyrics. On my favorite track "We Call Upon The Author" Nick Cave mauls everyone from Jesus to Bukowski to Governments:

...Rosary clutched in his hand, he died with tubes up his nose
And a cabal of angels with finger cymbals chanted his name in code
We shook our fists at the punishing rain
And we call upon the author to explain

(Doop doop doop doop dooop)

Who is this great burdensome slavering dog-thing that mediocres my every thought?
I feel like a vacuum cleaner, a complete sucker, it's fucked up and he is a fucker
But what an enormous and encyclopaedic brain
I call upon the author to explain

(Doop doop doop doop dooop ...)

Oh rampant discrimination, mass poverty, third world debt, infectious diseease
Global inequality and deepening socio-economic divisions
Well, it does in your brain
And we call upon the author to explain...


I've been listening to Dig, Lazarus, Dig!!! for a week now, virtually on loop, and it continues to surprise me with every listen. Every track is gold. I don't know what other album in 2008 can top this. A fucking treasure!

Favorite tracks: "We Call Upon The Author," "Dig, Lazarus, Dig," "Moonland," "Albert Goes West," Night Of The Locust Eaters," "More News From Nowhere"


* dig-lazarus-dig.jpg (58.85 KB, 500x500 - viewed 89 times.)
Logged

Add Your Voice to Ours :: register as a forum member, click here
If it were all in the script, why make the film? - Nicholas Ray
X.
Administrator
alfred hitchcock
*****
Offline Offline

Gender: Male
Posts: 5970


i am here


WWW
« Reply #1 on: November 01, 2008, 12:49:PM »

And here's the hilarious video for the title track "Dig, Lazarus Dig!!!".

Nick Cave with his long hair and retro mustache! Ha ha.

<a href="http://www.youtube.com/v/7kV5XkBQsKU&rel=1" target="_blank">http://www.youtube.com/v/7kV5XkBQsKU&rel=1</a>


Logged

Add Your Voice to Ours :: register as a forum member, click here
If it were all in the script, why make the film? - Nicholas Ray
madali
Moderator
alfred hitchcock
*****
Offline Offline

Posts: 4294



« Reply #2 on: November 01, 2008, 04:30:PM »

I've wanted to give Cave a listen, but recently I've been on a purely audiobook phase and havent listened to music in a while, and I'm waiting to get back into the phase
Logged

I'd love to change the world / But I don't know what to do / So I'll leave it up to you
kaytee
wm citizen
alfred hitchcock
*****
Offline Offline

Gender: Male
Posts: 5288


TEJA mein hoon, Mark idhar hai !!


« Reply #3 on: November 02, 2008, 12:16:AM »

I've wanted to give Cave a listen, but recently I've been on a purely audiobook phase and havent listened to music in a while, and I'm waiting to get back into the phase

What Audiobooks are you listening too? And how and where do you get them from?
Logged

TEJA mein hoon, Mark idhar hai !!

Add Your Voice to Ours :: register as a forum member, click here
Opportunity knocked. My doorman threw him out.
madali
Moderator
alfred hitchcock
*****
Offline Offline

Posts: 4294



« Reply #4 on: November 02, 2008, 12:11:PM »

Currently, I'm listening to "The Great Ideas of Philosophy" which is like 30 hours...!

Same place we get the KFFs...
Logged

I'd love to change the world / But I don't know what to do / So I'll leave it up to you
X.
Administrator
alfred hitchcock
*****
Offline Offline

Gender: Male
Posts: 5970


i am here


WWW
« Reply #5 on: November 02, 2008, 10:40:PM »

Make sure you post your thoughts on the Philosophy audiobook in the Paper Mill section. I'm presenting reading notes on existential philosophy from the minds of Sartre, Kierkegaard, Camus and Nietzsche.
Logged

Add Your Voice to Ours :: register as a forum member, click here
If it were all in the script, why make the film? - Nicholas Ray
Pages: [1]
WearetheMovies Forum :: Dubai's Finest Film Discussion Community  |  Noble Distractions  |  Musika  |  Dig!!! Lazarus Dig!!! (Nick Cave and the Bad Seeds, 2008)
    Jump to: