Recent Articles
Caught between 2013’s promising lineup of superhero movies and previous IRON MAN films, this third installment is a mixed bag of juggernaut heroics and metaphorical ironies that alternates between action mayhem and screwball humor.
An essay on REAR WINDOW (1954), one of the first in a series of seminal films that Alfred Hitchcock made. It’s the ideal introduction to what Hitchcock regarded as pure film. The essay also examines the Kuleshov Effect.
